Killer Jeans, one of India’s first homegrown denim brands, is changing the conversation around denim fashion in the country through its Genes of India campaign, with actor Meezaan Jafri as the face of the brand. The campaign looks at how denim has become a part of everyday dressing across India, and how each region, city and generation styles it in its own way.

Denim is now one of the most versatile and widely worn categories in Indian fashion. It is part of wardrobes across age groups and occasions, and it continues to influence how younger consumers dress for work, travel, social settings and celebrations. Genes of India builds on this shift, presenting denim as a shared part of Indian style, from Kashmir to Kanyakumari.

Meezaan Jafri, as brand ambassador, connects with an audience that sees denim as a core part of personal style and not as a casual alternative. His styling reflects the fits and combinations that younger consumers are choosing today. “Denim is something almost everyone in India relates to, whatever their background or city,” said Meezaan Jafri. “What I like about Genes of India is that it doesn’t ask people to dress a certain way. It recognises that everyone wears denim differently, and that is what makes it ours.”

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The latest addition to the Killer line-up, Neo Flare brings a contemporary perspective to the classic flare silhouette. Designed to sit slim through the hip, thigh and knee, the fit gradually opens below the knee to create a longer, leaner profile. Neo Flare brings a fresh dimension to everyday denim and pairs effortlessly with everything from sneakers to boots.

The collection is complemented by Selvedge Denim, known for its distinctive character, texture and craftsmanship, alongside Killer’s range of fabric innovations. K-Tech Denim offers a lighter feel, SoftPro Denim delivers a softer hand-feel, while Cool Core Denim is designed to provide comfort across changing weather conditions. Together, these innovations reflect Killer’s focus on combining contemporary denim design with fit, functionality and comfort.

“Denim has always been something I’ve felt people can make their own. In India, that feels even more interesting because the way you wear it changes from city to city, from generation to generation, and from person to person. That’s what drew me to Genes of India; it’s not about one definition of denim, but about all the different ways we style it, live in it and make it part of who we are” said Hemant Jain, Joint Managing Director, Kewal Kiran Clothing Limited.

Killer’s contribution to the category begins with its products. The brand designs for Indian consumers, with attention to fit, comfort and finish, and places weight on Indian manufacturing and the craftsmanship that goes into making denim. Through Genes of India, it aims to bring that work into focus and to support a stronger domestic denim category, where consumers can find quality, trend-relevant options made in India.

Killer believes Indian denim has significant room to grow, driven by rising fashion awareness, a greater willingness to experiment and demand for quality, locally made products.

Also Read:He-Man and the Masters of the Universe Hindi trailer: Jaaved Jaaferi brings Skeletor to life, Meezaan Jafri powers up as He-Man 

On October 9, 2026, Prime Video announced the exclusive global streaming premiere of Vishesh Bhatt’s Awarapan 2, the Hindi action drama that brought back Emraan Hashmi as one of his most-remembered characters. The return of Shivam comes nearly two decades after Awarapan, directed by Mohit Suri, became a defining film for a generation of viewers, with its brooding protagonist, poignant storytelling, and soulful music leaving a lasting imprint on popular culture.

Directed by Nitin Kakkar, Awarapan 2 builds on that familiarity, while taking Shivam into a next chapter, blending the emotional intensity of his story with high-octane action and the nostalgic musical sensibility audiences remember from the era. The film also stars Disha Patani, Shabana Azmi, Puran Gabbi, Vijayant Kohli, and Suvinder Vicky in pivotal roles, and weaves romance, action, and drama against the backdrop of the criminal underworld.

Vishesh Bhatt brings Awarapan 2, the second chapter of the blockbuster franchise. In a remote Rajasthan village, Shivam Pandit grieves at his beloved’s grave, questioning his purpose, his life. Having withdrawn from the world of crime and carrying the guilt of a past he cannot alter, he has resigned himself to a life in solitude. Then, an unexpected bond gives him a glimpse of something he had long thought beyond his reach - a reason to care, to hope, and perhaps to live differently.

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But fate has other plans. Drawn into Bangkok’s cartel war, Shivam is forced back into the darkness he had left behind. Amid violence, betrayal and an unexpected chance in love, he finds himself responsible for something beyond himself. As the lives of those he has come to care for become entwined with his own, Shivam must confront the choices that brought him here - and decide what he is willing to fight for.

Also Read: PEN Marudhar wins big bidding war for Gunmaaster G9; bags all-India distribution rights after Awarapan 2 success

Veteran actor Nana Patekar was cremated at his Pune farmhouse on Thursday, October 8, following his sudden demise earlier that morning. The actor was accorded full state honours, as announced by Maharashtra Chief Minister Devendra Fadnavis, in recognition of his contribution to Indian cinema and his social welfare initiatives. Fadnavis, along with Maharashtra Deputy Chief Minister Eknath Shinde, was also seen paying his respects to the late actor at Pune airport.

Although Nana Patekar passed away in Goa, his mortal remains were brought to Pune in accordance with his wishes. According to reports, the actor had expressed his desire to be cremated at his Donje farmhouse in Pune. His son, Malhar Patekar, performed the last rites and lit the funeral pyre in the presence of family members, friends and colleagues from the film industry.

Several prominent personalities attended the funeral to pay their final respects to the veteran actor. Among those present were Jackie Shroff, producer Sajid Nadiadwala and filmmaker Anil Sharma, along with other members of the entertainment fraternity. The gathering reflected the impact Patekar had made through his work over a career spanning several decades.

The Maharashtra government's decision to accord him a state funeral recognised not only his cinematic legacy but also his contributions to society through the Naam Foundation, which he co-founded with actor Makarand Anaspure to support drought-affected farmers and rural communities.

Nana Patekar's demise: What happened?

Nana Patekar, a Padma Shri recipient known for his acclaimed performances across Hindi and Marathi cinema, passed away at the age of 75 in the early hours of Thursday, October 8, 2026.

According to reports, the actor suffered a severe cardiac arrest at his residence in Dona Paula, Goa. He was found unresponsive early in the morning and rushed to Manipal Hospital, where medical personnel reportedly attempted cardiopulmonary resuscitation (CPR) for approximately 45 minutes. However, he could not be revived and was declared dead at around 5:20 AM IST. His son, Malhar Patekar, subsequently confirmed the news.

Known for his intense screen presence and memorable performances, Patekar leaves behind a significant body of work spanning multiple genres and languages. His passing has prompted tributes from colleagues, admirers and members of the film fraternity, as the industry remembers an actor whose contributions extended beyond the screen.

Also Read: Ajay Devgn mourns the death of Nana Patekar with a heartfelt note: “His presence was powerful, his performances unforgettable”

Veteran actor Nana Patekar passed away on Thursday morning after suffering a cardiac arrest at his residence. Dr. Shekhar Salkar, Chief of the Oncology Department at Manipal Hospital, has now shared details of the actor’s final hours, revealing that the actor was brought to the hospital in an unresponsive state and could not be revived despite prolonged resuscitation efforts.

Speaking to ANI, Dr. Salkar said, “Nana Patekar was brought dead to the hospital. He was declared dead by 5:30 am. We had tried our best to save him, but he was brought dead. Cardiac massage was given for almost 45 minutes to an hour, but he just could not be saved.” Nana Patekar had messaged friend around 2:30 AM According to Dr. Salkar, Nana Patekar had reportedly messaged a friend around 2:30 AM saying that he was not feeling well. However, as it was nighttime, the friend did not see the message immediately.

The friend later called Nana and went to his residence at around 4 AM. By then, the actor was reportedly sweating and his condition was deteriorating.

“As per what we recalled, at around 2:30, he sent a message to his friend that he was not feeling well. But as it was nighttime, his friend could not see the message. So he just called him. He went to his house at around 4 o'clock. By that time, he was sweating and all,” Dr. Salkar told ANI.

The people present at the residence then began taking primary measures before arranging medical assistance. Dr. Salkar said Nana was gradually becoming unconscious, following which his caretaker was sent to the hospital to seek help. Emergency team attempted resuscitation Dr. Salkar said the hospital’s emergency response team went to Nana Patekar’s residence and began cardiac massage as he was completely unresponsive.

“He was slowly becoming unconscious. So they sent his caretaker to the hospital. He took our ambulance. When our ER team went there, they started cardiac massage because he was totally unresponsive,” he said.

The actor was subsequently shifted to Manipal Hospital at around 4:20 or 4:30 AM. Doctors continued their efforts to revive him, but he could not be saved.

“We also tried our best, but he was brought dead,” Dr. Salkar said. Body taken for post-mortem Following Nana Patekar’s death, a police case was filed as the matter falls under a medico-legal case (MLC). Dr. Salkar also confirmed that the actor’s body has been taken to Goa Medical College for a post-mortem examination.

“Then we had to file a police case because there's an MLC (medico-legal case). The body has now been taken to the Goa Medical College for post-mortem,” he said.

According to the doctor, Nana’s family members were not present at the time. His friends and a caretaker were with him.

“His family was not there. His friends were there with him and a caretaker,” Dr. Salkar added.

Nana Patekar was 75. He began his film career with Gaman in 1978 and went on to establish himself as one of Indian cinema’s most acclaimed actors, with notable performances in Salaam Bombay!, Parinda, Prahaar, Welcome, Ab Tak Chhappan, Natsamrat and Housefull 5.

His most recent release was Subedaar, which premiered on Amazon Prime Video in March 2026 and featured Nana in a cameo as Lance Naik Nana Waghmare. His last substantial theatrical role was in Vishal Bhardwaj’s O’Romeo, released in February 2026, where he played Mumbai Intelligence Bureau chief Ismail Khan opposite Shahid Kapoor and Triptii Dimri.

Also Read: Nana Patekar passes away at 75: Sunny Deol remembers their “very special bond” in emotional note

Actor Shakti Kapoor and his daughter, actor Shraddha Kapoor, have leased a residential apartment in Mumbai’s Mahalaxmi area to Akshat Khetan for a monthly rent of Rs 2.5 lakhs. The details are based on the registered leave and licence agreement accessed by CRE Matrix. The 1,050 sq ft apartment is located on the third floor of Piramal Mahalaxmi South Tower. The agreement was registered on June 26, 2026, with the 36-month lease commencing on July 1, 2026. It will remain valid until June 30, 2029.

According to the agreement, the monthly rent has been fixed at Rs 2.5 lakhs for the first year of the lease. The rent will increase by 5% annually, taking it to Rs 2.625 lakhs per month during the second year. For the final 12 months, the monthly rent will rise further to approximately Rs 2.756 lakhs.

Across the entire three-year lease period, the total rental payment is estimated at around Rs 94.58 lakhs. Khetan has also paid an interest-free refundable security deposit of Rs 7.5 lakhs.

The agreement includes a 12-month lock-in period, during which neither the landlord nor the tenant can terminate the lease without facing the consequences outlined in the contract. The leased apartment measures 1,050 sq ft and is situated in Piramal Mahalaxmi South Tower, located on G B Sakpal Marg and San Guruji Marg in Mahalaxmi East, Mumbai.

The latest transaction is notable as it comes a little over a year after Shraddha Kapoor and Shakti Kapoor jointly purchased another apartment in the same tower. Shraddha Kapoor and Shakti Kapoor’s earlier purchase In January 2025, the father-daughter duo jointly purchased a 1,042.73 sq ft apartment in Piramal Mahalaxmi South Tower for Rs 6.24 crores.

The earlier property transaction was registered on January 13, 2025. The latest lease agreement involving another apartment in the same residential development adds to the family’s property activity in the Mahalaxmi area.

The new three-year lease will remain in effect until June 2029, with the rent increasing by 5% in each subsequent year as specified in the agreement.

Also Read: Shraddha Kapoor cracks up fans with her hilarious response on Stree 2 fan theory: “Kyunki mein Shakti Kapoor ki beti hoon”

Veteran actor Nana Patekar has passed away at the age of 75 after suffering a severe cardiac arrest at his residence in Goa. He was declared dead at 5:20 AM on Thursday, October 8. Doctors attempted to revive the actor through continuous CPR for around 45 minutes, but he could not be saved.

Dr. Shekhar Salkar, Chief of the Oncology Department at Manipal Hospital, confirmed the news and said that a medico-legal case (MLC) has been registered. Further details regarding the circumstances of his death are expected following the post-mortem examination.

“Veteran actor Nana Patekar passed away at 5:20 AM today after suffering a severe cardiac arrest at his residence. Despite 45 minutes of continuous CPR, he could not be revived. A medico-legal case (MLC) has been registered, and a post-mortem will be conducted,” Dr. Shekhar Salkar said. Nana Patekar’s journey in cinema Nana Patekar began his film career with the 1978 film Gaman. While his early years in cinema were gradual, he went on to establish himself as one of the most distinctive actors in Hindi and Marathi cinema.

His performances in films such as Salaam Bombay! and Parinda brought him wider recognition. Salaam Bombay!, directed by Mira Nair, was nominated for the Academy Award for Best Foreign Language Film. In Parinda, Patekar played a gangster, a performance that earned him the National Film Award and Filmfare Award for Best Supporting Actor.

The making of Parinda was also physically demanding for the actor. He suffered serious burns while filming a real-fire sequence and spent months recovering in hospital. Earlier, he had also been stabbed during the shooting of Salaam Bombay!.

Patekar later moved behind the camera with Prahaar: The Final Attack, which he directed and starred in. For the 1991 film, he underwent training with the Territorial Army.

Patekar remained active on screen in the years leading up to his death. His most recent released film was Subedaar, the Amazon Prime Video action drama starring Anil Kapoor. The film premiered on March 5, 2026, with Patekar making a special appearance as Lance Naik Nana Waghmare.

Before that, he had a substantial theatrical role in Vishal Bhardwaj’s O’Romeo, which released on February 13, 2026. He played Ismail Khan, the chief of the Mumbai Intelligence Bureau, in the film starring Shahid Kapoor and Triptii Dimri.

Also Read: EXCLUSIVE: Nana Patekar’s The Confession Of Mary set for Toronto International Film Festival Premiere

Kiara Advani and Sidharth Malhotra have announced that they are expecting their second child. The couple shared the news with their fans on Instagram on Wednesday, October 7, 2026, posting a joint announcement that featured a tender photograph of tiny white crochet baby booties resting in the palms of what appeared to be their elder daughter, Saraayah.

Alongside the photograph, Kiara and Sidharth shared an emotional message celebrating the new addition to their family. Their caption read, “Blessed once again with the greatest gift of all… Our hearts are so full of love and gratitude.”

The announcement was met with an outpouring of congratulatory messages from fans, friends and members of the film industry. Several Bollywood personalities, including Bhumi Pednekar, were among those who extended their wishes to the couple in the comments section.

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Kiara Advani and Sidharth Malhotra have been one of Bollywood’s closely followed couples since their relationship began making headlines. The two actors first worked together in the 2021 biographical war drama Shershaah, in which Sidharth portrayed Captain Vikram Batra and Kiara played Dimple Cheema. Their on-screen pairing also became a talking point as the actors developed a relationship away from the spotlight.

After dating for a period of time, Kiara and Sidharth got married on February 7, 2023. The couple exchanged vows in an intimate ceremony at Suryagarh Palace in Jaisalmer, Rajasthan, surrounded by their families and close friends from the film industry.

The actors later embraced parenthood for the first time in 2024. After announcing their pregnancy through a social media post, Kiara and Sidharth welcomed their first child, a baby girl named Saraayah, in December 2024. The couple has largely kept their daughter away from public attention, choosing to maintain a degree of privacy around their family life.

Now, nearly two years after welcoming their first child, the couple has shared the news of another addition to their family. Their latest announcement comes with the actors continuing to balance their personal lives with busy professional schedules.

On the work front, Sidharth was recently seen in The Vvaan: Force of the Forrest, the folklore-fantasy thriller directed by Deepak Kumar Mishra and backed by TVF and Balaji Motion Pictures. The film, which also stars Tamannaah Bhatia, released in cinemas on September 25, 2026. Sidharth is also preparing for his upcoming action project with Maddock Films.

Kiara, meanwhile, was last seen in the high-octane War 2, which features her in the Yash Raj Films Spy Universe. With both actors continuing to have multiple professional commitments, their latest announcement marks a significant personal milestone for the couple as they prepare to welcome their second child.

Also Read: Netflix’s The Great Indian Kapil Show Season 5 continues ‘Hasi Ka Tyo-ha-ha-har’ with The Vvaan cast

The Delhi High Court has sought a response from Salman Khan in connection with an application filed by filmmaker Amit Jani, who has sought a stay on proceedings in the actor’s civil suit concerning the proposed film Kala Hiran: The Battle for Legacy. The matter was heard before Justice Anup Jairam Bhambhani, with Jani’s counsel arguing that the reliefs sought by Khan in the present proceedings substantially overlap with those in an earlier suit that is already pending adjudication before the High Court.

During the hearing, Jani’s legal team contended that Khan has effectively initiated parallel litigation concerning the same subject matter. On that basis, counsel argued that proceedings in the subsequent suit should remain stayed until the earlier matter is finally decided. Representing Salman Khan, Senior Advocate Ravi Prakash undertook to place the actor’s formal counter-affidavit on record in response to the application. The court also sought clarity on the precise basis of the relief being pursued by Khan. Explaining the background, Prakash submitted that the actor had initially approached the court seeking protection of his personality and publicity rights. The proceedings resulted in interim protection being granted to Khan in December 2025. According to Khan’s counsel, following the interim order, the filmmakers released promotional material and gave interviews to the media that allegedly drew direct parallels between the film and aspects of the actor’s life, including the widely known 1998 blackbuck poaching case in Rajasthan. Khan’s legal team argued that the alleged depiction was sufficiently identifiable with the actor’s persona and could cause significant reputational harm. The actor subsequently sought the court’s intervention to prevent the circulation of promotional and publicity material connected to the film and to restrain its proposed release. The dispute escalated further in July 2026, when the Delhi High Court directed the removal of the film’s initial digital teaser and certain promotional posts from social media. The court also directed the filmmakers not to use Salman Khan’s name, likeness or identifiable characteristics without his consent. The proceedings later turned towards the question of the film’s proposed distribution and release. During those hearings, Jani’s side submitted that Kala Hiran: The Battle for Legacy was neither complete nor submitted to the Central Board of Film Certification (CBFC) for theatrical certification at that stage. The filmmaker’s side also maintained that an official trailer for the film had not yet been released or circulated. The possibility of a direct-to-digital release also came into consideration during the proceedings. While the film’s theatrical status and certification position were raised before the court, the bench also considered Khan’s apprehensions regarding the possibility of the film or related promotional material being disseminated directly through digital platforms, including an OTT release. Amit Jani’s side has continued to oppose the reliefs sought by Salman Khan, maintaining its position against the actor’s requests for injunctions. The latest hearing, therefore, focused on the procedural objection raised by the filmmaker regarding the overlap between the present proceedings and the earlier matter pending before the High Court. Justice Anup Jairam Bhambhani has now directed Salman Khan’s counsel to place the actor’s detailed response on record. The matter has been listed for a further comprehensive hearing on December 16, 2026. The proceedings concern the competing legal claims surrounding Kala Hiran: The Battle for Legacy, with the court yet to adjudicate the substantive issues raised in the latest application. Also Read: Bigg Boss 20: Salman Khan urges censorship on social media, raises concern over AI deepfakes; says, “I am going to take this up very seriously”

Kriti Sanon has revisited the controversy surrounding her GIVA jewellery advertisement, recalling how the campaign’s fashion choices became the subject of intense television debates. During her appearance on Season 6 of Kareena Kapoor Khan’s What Women Want, the actress reflected on the scrutiny female celebrities often face over their clothing and admitted that she was surprised by the scale of the discussion around her outfit.

The conversation touched upon moral policing and the disproportionate attention often directed towards women in the public eye. Recalling the aftermath of the GIVA campaign, Sanon said, “I couldn’t believe… when my choli had become like a six-person panel discussion on prime-time news.” Kareena immediately acknowledged her sentiment, responding, “I know.”

The controversy dates back to GIVA’s Raksha Bandhan campaign featuring Sanon. The actress was seen in a contemporary Indo-western ensemble comprising a white bralette-style choli, a sheer cape and an embroidered skirt. The campaign featured festive celebrations, including Sanon tying a rakhi on a pet dog, but the styling became a talking point on social media.

The advertisement faced criticism from sections of social media, with the outfit being questioned in the context of a festive family setting. The controversy subsequently found its way into television discussions, with the debate extending beyond the advertisement to questions around clothing, culture and representation.

Actor-politician Kangana Ranaut also reacted to the campaign at the time, criticising Sanon’s outfit and comparing the top to a “bikini”. Following the backlash, GIVA issued a public apology and withdrew the campaign from its television and digital platforms.

Sanon had responded to the criticism at the time, questioning the focus on women’s clothing and arguing that fashion and cultural identity should not be reduced to what a woman wears. She wrote, “Also, when will we stop telling women what to wear?? Ethnic fashion has evolved over the years, but still a woman's respect for her culture is measured with just her clothes!! Culture & Traditions are in her heart, not in her neckline!”

The actress’ latest comments on What Women Want bring the episode back into focus, particularly the extent to which a fashion choice can become a larger public debate when a celebrity is at the centre of it. Her recollection also underlines the scrutiny that female actors can face over their appearance, even when the conversation begins with a commercial campaign.

Also Read: Kriti Sanon says, “I also want to play a superwoman”; reveals she wants to explore female superhero roles

The leading heroine in Ayushmann Khurrana’s Mupapa has been revealed. Bollywood Hungama has exclusively learned that Shreyaa Chaudhry, who has steadily established herself as one of the most promising actors of her generation through acclaimed performances in Prime Video’s Bandish Bandits and The Mehta Boys, is paired opposite Khurrana in Yash Raj Films and Posham Pa Pictures’ upcoming genre-bending thriller.

Known for her natural performances and ability to bring depth and emotion to her characters, Shreyaa has built a strong connection with audiences through a diverse body of work. Her performances across both seasons of Bandish Bandits were appreciated for their natural and relatable portrayal, while The Mehta Boys further showcased her versatility and ability to take on layered characters. With Mupapa, Shreyaa takes another significant step forward in her career.

Directed by Kaala Paani fame Sameer Saxena, Mupapa is produced by Akshaye Widhani (CEO, Yash Raj Films) and Posham Pa Pictures, the banner Sameer co-founded with Biswapati Sarkar, Saurabh Khanna and Amit Golani. The film marks the first theatrical collaboration between the studio and the production house. Although the plot details of the project are strictly kept under wraps, it's expected to deliver an incredibly new visual experience for people in theaters, while promising to keep the audience at the edge of their seats from the word go. The film is presently in the post-production stage and is slated for a release in cinemas on February 19, 2027.

In another significant career development, Shreyaa Chaudhry has also been signed for exclusive management by YRF Talent, marking a new chapter in her professional journey. She now joins the talent management arm of Yash Raj Films, which represents an impressive roster of established stars and some of the most promising names from the new generation, including Rani Mukerji, Ayushmann Khurrana, Sonam Kapoor, Vaani Kapoor, Sharvari, Ahaan Panday, Aneet Padda, among others.

Also Read: Yash Raj Films and Posham Pa Pictures’ first theatrical collaboration starring Ayushmann Khurrana is titled Mupapa, set to release on Feb 19, 2027

Janhvi Kapoor has spoken out against the circulation of a morphed AI-generated video featuring her from the Devara Part 1 song ‘Chuttumalle’. The incident has sparked widespread concern on social media, with the actress once again becoming a victim of digital manipulation. Janhvi, who has previously spoken about being targeted by deepfake technology, took to Instagram to condemn the misuse of technology and the violation of women’s consent.

In a detailed note, Janhvi highlighted how the objectification of women through manipulated digital content has become an increasingly serious concern. She wrote, “The criminal misuse of technology to objectify women and circulate fictionalised content without consent is deeply violating, bordering on sexual assault. Almost every woman in my industry has faced some version of this, and women everywhere are increasingly being subjected to it,” her note read and continued, “Consent, choice and respect for a woman's body should be among the most basic notions of humanity. Yet somehow, they continue to be treated as complicated. They are not.”

Janhvi further explained that consent cannot be assumed or taken for granted under any circumstances. Drawing an analogy, she wrote, “It is surprising that it still seems too nuanced for some people to understand that even if a woman says yes five days in a row and no on the sixth, that no must be respected. If she happens to wear a miniskirt, it does not give anyone permission to put a camera up her skirt, capture violating angles or visually exploit her body. What a woman is comfortable with, where she draws the line and what she chooses to do with her body are decisions that belong exclusively to her. This is basic.”

The actress also placed the incident within the larger conversation around women’s safety, saying that the threat of violation has now extended into the digital space. “This goes far beyond the ai videos I have dealt with over the last few days, or anything I have personally experienced throughout my career. It is about the larger reality of being a woman, the gaze, the judgement, the constant negotiation for safety, and the feeling that our boundaries somehow remain open to interpretation. That threat has now expanded into the digital sphere, when we have not even adequately addressed the very real, physical fear that continues to disrupt the lives of women every day,” she said.

Janhvi also stressed that the responsibility cannot solely be placed on women to protect themselves - “The answer cannot simply be to "protect your daughter." we also need to undo the conditioning that makes people believe they are entitled to violate somebody else's boundaries in the first place. And part of that change will come from exemplary men with the moral compass and the spine to say clearly what is right and what is wrong.”

The actress thanked her Devara co-star NTR Jr., along with Chiranjeevi, Vijay Deverakonda and Khushbu Sundar, for speaking up against the incident and supporting her. She expressed, “I am deeply touched by NTR sir for taking such a strong stand and condemning this violation. Thank you, sir. When someone whom millions look up to speaks up about something that may not directly concern him, it makes a difference to every woman who has experienced some degree of this behaviour.” “Thank you also to Chiranjeevi sir, Vijay and Khushbu ma'am for amplifying that sentiment and calling for action against this mentality and these immoral practices,” she added.

She concluded by urging people to reconsider the attitude towards women’s boundaries and choice, “I hope everything unfolding around us right now forces those who participate in any form of harassment to introspect. Is it really too much for a woman to ask to simply be treated and seen as a human being? Her body. Her image. Her boundaries. Her choice.”

Also Read: All about this effortless beauty avatar of Janhvi Kapoor: Actress keeps it understated with concealer, pink blush and nude lips

R Madhavan, Disha Patani and Shriya Saran have joined the cast of Akshay Kumar and Sajid Khan’s upcoming untitled comedy. Produced by Ektaa R Kapoor, the film is being planned as an out-and-out comedy and will bring together a fresh ensemble led by Kumar, Madhavan, Patani and Saran.

Madhavan will reunite with Akshay after their appearance in Kesari Chapter 2: The Untold Story of Jallianwala Bagh (2025). The two actors played rivals in the courtroom drama, whereas their upcoming collaboration will see them explore the comedy genre together. Their pairing is expected to be one of the key elements of the film. Disha Patani and Shriya Saran have also come on board the project and will play the romantic leads. The film is said to revolve around middle-aged men and will follow a comedy-of-errors format. It is also being mounted on a large scale, with the makers planning an extensive production schedule. The film is expected to go on floors in London by the end of 2026 or early 2027. The London schedule is likely to form an important part of the production as the makers prepare to mount the comedy on a larger scale. Akshay Kumar is expected to begin work on the project after wrapping up Samuk, Kanishk Varma’s alien survival thriller. The comedy is planned to be shot in a start-to-finish schedule. The project marks another collaboration between Akshay Kumar and Sajid Khan, who have previously worked together on Heyy Babyy, Housefull and Housefull 2. While their reunion forms the core of the project, the addition of R Madhavan, Disha Patani and Shriya Saran adds to the film’s ensemble cast. Meanwhile, Sajid Khan will first complete Hero Ki Horrorine, starring Yashvardhan Ahuja and Nitanshi Goel, before moving on to the untitled comedy. With R Madhavan, Disha Patani and Shriya Saran joining Akshay Kumar, the project now brings together a multi-starrer ensemble for Sajid Khan’s next comedy. Also Read : Sajid Khan set to reunite with Akshay Kumar for new film: REPORT