The Big Fat South Indian Wedding of Rashmika Mandanna and Vijay Deverakonda on February 26 promises to be special on many counts. A guest from the Udaipur venue revealed that the couple intends to go through two separate ceremonies.
“The first wedding will be in the Telugu tradition while the second ceremony will be in the Kodava tradition, peculiar to the Coorg district in Karnataka, which Rashmika belongs to,” revealed a guest from Udaipur.
Apparently, it was Vijay’s idea to have two different ceremonies to honour the culture and communities that the couple belongs to.
Also Read: Rashmika Mandanna-Vijay Deverakonda wedding: From taking just a short break post-marriage to starting their joint production house, here’s the dope around the star couple before their big leap
Filmmaker Ram Gopal Varma has stirred a fresh debate on the future of cinema, calling AI tool “Seedance 2.0” the “murderer of the film industry” while also describing it as a force of liberation.
In a post shared on February 25, 2026, Varma argued that advanced AI filmmaking tools could dismantle the traditional structure of the movie business. Referring to blockbuster filmmaker S. S. Rajamouli, he wrote that directors like Rajamouli command massive budgets due to their proven creative vision and track record. However, he questioned how many equally talented storytellers across India never get access to funding or industry networks.
According to Varma, tools like Seedance 2.0 have “kicked the gate down and set it on fire,” enabling creators from small towns to generate large-scale, cinematic visuals using descriptive prompts alone. He described it as “true democracy in motion,” suggesting that AI shifts power away from a select few and into the hands of the masses.
Varma went further, predicting a structural collapse of the current filmmaking ecosystem. “A director’s primary job is to take a scene on paper and transfer it onto screen,” he wrote, listing the vast crew involved in the process. Advanced AI, he claimed, could eliminate the need for actors, technicians, production teams and even large budgets.
“No more star issues. No more producers panicking over budgets. No more 300 people standing around waiting for one shot. Just one person. One prompt. One mind,” he stated.
Calling the evolution inevitable, Varma likened the shift to an asteroid striking dinosaurs. “The dinosaurs had their 100 year reign. Now the asteroid has arrived. And its name is A I,” he wrote, adding that the industry “will get murdered brutally — not slowly, not peacefully.”
SEEDANCE 2.0 , the MURDERER of FILM INDUSTRY Leaving aside its copyright infringements etc which is another matter , here’s my take on Seedance 2.0
@ssrajsmouli is the no. 1 director because he makes the most expensive films and the most successful ..People fund him a 1000…
— Ram Gopal Varma (@RGVzoomin) February 25, 2026
He concluded by posing a provocative question: Is this the death of the film industry, or its ultimate democratisation?
Varma’s remarks have already sparked conversations on the social media platform, reigniting the ongoing debate over whether artificial intelligence will disrupt or redefine the future of cinema.
Also Read: Ram Gopal Verma says he “pities the ones who will come in Dhurandhar 2’s way” ahead of its release on March 19
Actress Priyamani has reportedly joined the cast of Golmaal 5, the latest instalment of Rohit Shetty’s popular comedy franchise. The development marks her reunion with Ajay Devgn after their collaboration in Maidaan.
According to Variety India, the first shooting schedule is expected to span approximately a month. Filming for the film commenced on Monday, February 23, in Mumbai, with Ajay Devgn slated to join the sets on February 25. While details about Priyamani’s character are being kept under wraps, reports suggest that she has already begun shooting her portions.
The Golmaal franchise remains one of Hindi cinema’s most commercially successful comedy series, known for its ensemble-driven storytelling and recurring characters. The fifth instalment will see the return of its core cast, including Ajay Devgn, Arshad Warsi, Tusshar Kapoor, Kunal Kemmu and Shreyas Talpade. Veteran performers Johnny Lever, Sanjay Mishra, Mukesh Tiwari and Ashwini Kalsekar are also set to reprise their popular roles.
There have also been reports suggesting that Akshay Kumar may join the cast. However, the makers have not officially confirmed this development.
The film’s production gains momentum weeks after an alarming incident at Rohit Shetty’s Juhu residence, where five rounds of bullets were reportedly fired. The Mumbai Crime Branch investigation revealed that the vehicle used in the firing was sourced from Pune. Officials earlier stated that the accused, including Subham Lonkar, allegedly intended to create panic in the city. Investigators also said that Rs 40,000 was transferred to one of the arrested accused, who was in contact with Lonkar through a single messaging application.
Also Read: SCOOP: Rohit Shetty takes the Do Aur Do Paanch route for Golmaal 5; sets up a Tom & Jerry rivalry between Ajay Devgn and Akshay Kumar
The Kerala Story 2: Goes Beyond is all set to release this Friday, February 27, and it has managed to create considerable noise on social media because of its shocking and controversial content. Usually, such films often contain disturbing content and, as a result, are meant for only adult-viewing. Hence, it was a surprise for the trade and industry that the Central Board of Film Certification (CBFC) passed the film with a U/A 16+ certificate.
However, the CBFC asked for 16 cuts or modifications in the film. To begin with, the visuals of kissing were reduced by 50%. In short, the lip-lock scene was shortened by 7 seconds. Similarly, the rape scene visuals were also reduced by 50%, that is, by 20 seconds. Two scenes - one of a woman being slapped and the other of a woman's head being hit - were both reduced by 2 seconds.
The visuals of the house of the accused being demolished with a bulldozer were asked to be modified. Three dialogues, at three different places, were modified while a word was asked to be muted. However, no details of these are available in the cut list.
The makers were instructed to add a disclaimer that the film is based on true events. The duration of the static text, presumably a disclaimer, was asked to be increased by 2 minute and 3 seconds, along with voice over. The makers were asked to submit the script, as per script dialogue and also submit proper documents for a true event depicted in the film. Finally, a consent letter was submitted to the CBFC for casting a minor artist in the film.
Once these changes were made, The Kerala Story 2: Goes Beyond was handed over the censor certificate on February 16. The length of the film, as mentioned on the censor certificate, is 131.24 minutes. In other words, The Kerala Story 2: Goes Beyond is 2 hours, 11 minutes and 24 seconds long.
The Kerala Story 2: Goes Beyond is produced by Vipul Shah and directed by Kamakhya Narayan Singh. It stars Ulka Gupta, Aditi Bhatia and Aishwarya Ojha in leading roles. It releases in cinemas on February 27.
Also Read: Makers of the The Kerala Story 2: Goes Beyond unveil character posters of Ulka Gupta, Aishwarya Ojha and Aditi Bhatia
The Red Lorry Film Festival, India’s premier destination for world cinema, will present a special retrospective honouring acclaimed filmmaker Pradip Krishen, spotlighting his rare and influential body of work.
Titled A Retrospective Celebrating Filmmaker Pradip Krishen, the showcase will revisit three of Krishen’s most distinctive films: In Which Annie Gives It Those Ones, Electric Moon, and Massey Sahib, offering audiences a chance to experience his sharp storytelling.
Pradip Krishen remains one of Indian cinema’s most original filmmakers. His campus cult classic In Which Annie Gives It Those Ones, written by Arundhati Roy captured the spirit of 1970s Delhi student life with wit and quiet rebellion. His debut feature Massey Sahib earned international acclaim and launched the career of Raghuvir Yadav, while Electric Moon stood out for its satirical take on post colonial India. Beyond cinema, Krishen stepped away from filmmaking to become one of India’s leading naturalists.
Ashish Saksena, COO Cinemas, BookMyShow and Festival Director, Red Lorry Film Festival, said, “Pradip Krishen’s films occupy a special place in Indian cinema for their originality, intelligence and cultural depth. Through this retrospective, we are proud to bring his landmark works back to the big screen for new and longtime audiences of the Red Lorry Film Festival.”
“This is a pinch-me-to-see-if-I’m-dreaming moment for me! Truly an honour to have all 3 of my films shown together at the Red Lorry Festival in Mumbai. Wonderful to be able to see them return to the big screen,” says filmmaker Pradip Krishen.
The Red Lorry Film Festival will be held from 13 to 15 March in Mumbai and will feature over 120 films from across the world. Festival passes are now available on BookMyShow.
Also Read: Subhash Ghai jokes at Karz screening at Red Lorry Film Festival: “Date during my film and you’ll end up married” – Neetu Kapoor agrees; takes a dig at Filmfare for snubbing Simi Garewal’s performance, says “It’s their LOSS”
Sunny Deol began 2026 with a bang with Border 2 and he’s expected to release multiple films this year, all of which look exciting. The most awaited of them is Lahore 1947. It reunites Sunny Deol and Rajkumar Santoshi and is produced by Aamir Khan. Aamir will also be seen in the film in a supporting role and it also stars Preity Zinta, Ali Fazal and Shabana Azmi. Due to the stellar team and Sunny’s booming track record, Lahore 1947 is a film that is expected to set the cash registers ringing. However, as per the buzz in the trade, the makers of the film are looking for a change of title.
A source told Bollywood Hungama, “Lahore 1947 is based on the famous play ‘Jis Lahore Nai Dekhya’. Since the film is set in the Pakistani city and during the Independence period, the title Lahore 1947 was initially deemed suitable. But now the makers feel that there can be a better title that is apt for the story of the film.”
The source continued, “Accordingly, they have come up with a few options. Another round of meeting will happen with the stakeholders and if all are on the same page, the name of the film will undergo a change.”
A few days ago, the makers of Lahore 1947 announced that their labour of love would be released on August 13, that is, in the beneficial Independence Day week.
The play, ‘Jis Lahore Nai Dekhya’, was written by Syed Asghar Wajahat in 1980. The Partition-era story revolves around a Muslim family which migrates from Lucknow to Lahore and is allotted a haveli vacated by a Hindu family. The old Hindu matriarch refuses to leave her ancestral home and she also strikes a rare bond with the Muslim immigrants.
Also Read: Aamir Khan productions’ Lahore 1947, starring Sunny Deol, locks Independence week release; deets inside
India registered a significant achievement at the BAFTA 2026 awards as the Manipuri-language film Boong won the Best Children’s & Family Film honour. Backed by Farhan Akhtar, the film emerged victorious over international nominees including Arco, Lilo & Stitch and Zootropolis 2.
The win is being seen as a major moment for Indian cinema, particularly for stories emerging from the Northeast. It underscores the growing global visibility of regional narratives that centre on local realities while addressing universal themes. Farhan Akhtar attended the ceremony along with his wife, Shibani Dandekar.
Directed by Lakshmipriya Devi, Boong is set in Manipur against the backdrop of social and political unrest. The title translates to “little boy” in Manipuri. The film follows a young boy, Boong, played by Gugun Kipgen, who believes that reuniting his family will restore happiness to his mother, Mandakini, portrayed by Bala Hijam. Determined to find his missing father, Boong embarks on a journey with his best friend Raju, played by Angom Sanamatum.
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Their search takes them to the border town of Moreh and across into Myanmar, adding both emotional and geographical depth to the narrative. Through a child’s perspective, the film examines themes of loss, hope and resilience amid uncertainty.
Before its theatrical release in September 2025, Boong had already drawn international attention on the festival circuit. It premiered at the Toronto International Film Festival in 2024 and was later screened at the Indian Film Festival of Melbourne, the MAMI Mumbai Film Festival and the Warsaw International Film Festival, where it received positive critical response.
Also Read: Aamir Khan refutes reports of playing mediator in Farhan Akhtar-Ranveer Singh dispute
In KH x RK, Kamal Haasan and Rajinikanth will share screen space for the first time in forty-eight years. The film is being produced by 21-year-old Inban Udhayanidhi, grandson of Tamil Nadu Chief Minister M.K. Stalin and son of Deputy Chief Minister Udhayanidhi Stalin.
Kamal Haasan currently heads his own political party, while Rajinikanth is not affiliated with any political party.
Inban is the CEO of the film production company Red Giant Movies. It is rumoured that Kamal Haasan and Rajinikanth have been paid equal remuneration, reportedly close to Rs. 70 crore each.
Also Read: Kamal Haasan – Rajinikanth to share screen space after 47 years with Nelson Dilipkumar as director; announcement video inside
The Vande Bharat Express has emerged as one of Indian Railways’ proudest achievements. Launched in February 2019, it remained unseen on celluloid until last year, when Shoojit Sircar became the first filmmaker to shoot aboard the semi-high-speed train. This and a lot more fascinating information were revealed to Bollywood Hungama by Vineet Abhishek, Chief Public Relations Officer, Western Railway (WR).
The ad in question is for Independence, an FMCG brand of Reliance Consumer Products Limited. It was released digitally in May last year, and a making video, featuring Shoojit Sircar, was released by Western Railway in January 2025.
Western Railway recently announced that it has generated a record Rs 1.72 crore from film and advertisement shoots conducted on its premises between April 1, 2025 and February 15, 2026. Its earlier highest earnings were recorded in 2022–23, when it collected approximately Rs 1.64 crore from film shoots.
Vineet Abhishek told Bollywood Hungama, “It is often assumed that government offices function in a typical way where one will be asked to go from one counter to another. However, that’s not the case with Western Railway. We have a single window clearance system for approving film shoot permissions. One can also apply through India Cine Hub, run by the National Film Development Corporation (NFDC). Western Railway is the only railway zone to be covered under ICH.”
Vande Bharat Steals the Spotlight! For the first time, WR’s Vande Bharat train is being featured in an ad shoot at Mumbai Central. As Indian Railways transforms into a world-class network, its portrayal in media is evolving too. pic.twitter.com/O2pXZywS0s
— Western Railway (@WesternRly) January 10, 2025
Vineet Abhishek further revealed that shoots can be conducted not only in trains and railway stations but also in railway yards, carsheds, administrative offices, workshops and other railway premises. The spokesperson further revealed about the forthcoming films shot in WR property, “Recently, Ayushmann Khurrana and Sharvari shot for Rajshri Productions’ next (Yeh Prem Mol Liya) at Goregaon railway station. John Abraham shot at WR Headquarters in Churchgate, Lower Parel railway station and Mumbai Central railway station for Maria IPS.” Bollywood Hungama has learned that the permission to shoot for Maria IPS was applied for in November 2025.
Interestingly, the gripping railway sequence in the recently released film O'Romeo, featuring Shahid Kapoor, Nana Patekar and Triptii Dimri, was also shot on Western Railway property. Behind-the-scenes pictures were shared by Western Railway while announcing its record earnings from film shoots.
Some of the Western Railway locations where notable films have been shot:
1. Churchgate Administrative Office –
2. Mumbai Central Railway Station – Sikandar (2025), Bodyguard (2011), Once Upon A Time In Mumbaai (2010), Yeh Jawaani Hai Deewani (2013), Holiday – A Soldier Is Never Off Duty (2014), Jazbaa (2015)
3. Bandra Terminus – Goodbye (2022), OMG 2 (2023), Ghajini (2008), Joram (2023)
4. Goregaon Railway Station – All We Imagine As Light (2024), Ra.One (2011), Ek Villain (2014), Gully Boy (2019)
5. Jogeshwari Yard – Force (2011), Commando 3 (2019), Heropanti 2 (2022), Judwaa 2 (2017), Tera Yaar Hoon Main (2026; upcoming)
6. Kandivali Carshed – Ghayal Once Again (2016), Kaminey (2009)
7. Mahim Railway Station – Darlings (2022)
8. Lower Parel Workshop – Fateh (2025), Fiza (2000), Arjun Pandit (1999)
Also Read: Vicky Kaushal comments ‘Aabasaheb’ on Riteish Deshmukh starrer Raja Shivaji poster; revives Chhaava connection and wins hearts
Actor and filmmaker Arbaaz Khan has reportedly purchased a premium apartment in Mumbai’s Jogeshwari locality, further strengthening his real estate portfolio. As per property registration documents accessed by Zapkey, the transaction is valued at approximately Rs.2.78 crore.
The apartment has been acquired from Mutistar Builders LLP at a rate exceeding Rs.22,000 per square foot. The residence measures 1,243 square feet in RERA carpet area and is situated on the 27th floor of the upcoming residential project, Autograph Residency, located on Link Road in Jogeshwari. In addition to the apartment, the deal also includes two dedicated parking spaces, adding to the overall value of the purchase.
Official records indicate that the transaction was registered on February 17, 2026. For the same, a stamp duty of over Rs.16 lakh was paid, along with a registration charge of Rs.30,000. The building is currently under construction, with possession of the apartment expected in December 2030.
Known for his work in Hindi cinema as well as projects in Telugu, Urdu and Malayalam industries, Arbaaz has built a diverse career over the years. Apart from acting in films, he has established himself as a producer and has also hosted several reality and chat shows. In 2019, he marked his foray into the digital space with his web series debut, expanding his presence across platforms.
On the personal front, Arbaaz welcomed a baby girl in 2025 with his second wife, Sshura Khan, marking a new chapter in his life as a father for the second time. He was previously married to Malaika Arora; the former couple share a 23-year-old son, Arhaan. They officially separated in 2017.
With this latest acquisition in Jogeshwari, Arbaaz Khan joins a growing list of Bollywood celebrities investing in Mumbai’s evolving residential hubs, particularly in high-rise projects that promise long-term value and modern amenities.
Also Read: Photos: Salman Khan, Arbaaz Khan, Salim Khan, Helen and others snapped at Sohail Khan’s birthday party in Bandra
