Film producer Boney Kapoor has expanded his garage with the addition of a premium new vehicle, the Mercedes-Benz V-Class, a model widely known for its emphasis on comfort, space and chauffeur-driven luxury. The acquisition reflects a growing preference among film personalities for high-end multi-purpose vehicles designed to double as mobile work and relaxation spaces.

A luxury MPV designed for comfort and privacy The Mercedes-Benz V-Class is often described as a private lounge on wheels because of its spacious cabin layout and executive-focused interiors. It is especially popular among celebrities and business leaders who rely on chauffeur-driven travel and require both comfort and discretion during commutes.

In India, the vehicle is available in multiple variants, with prices typically ranging between Rs 1.4 crore and Rs 1.7 crore depending on specifications and customization options. Premium interiors with executive seating One of the defining highlights of the V-Class is its six-seater configuration featuring captain seats in the rear. These seats are designed for long-distance comfort and provide a business-class style travel experience.

The vehicle also includes ambient lighting, advanced suspension tuned for smoother rides and a high-end infotainment system that enhances in-car convenience. Together, these features position the V-Class as a preferred choice for buyers seeking a balance between practicality and luxury. A growing celebrity favourite in Bollywood The Mercedes-Benz V-Class has steadily become a common presence in celebrity garages due to its generous cabin space and privacy-focused layout. For film industry professionals who often travel between studios, meetings and events across the city, the vehicle offers both functionality and prestige.

With this addition, Boney Kapoor joins a long list of prominent personalities who have opted for luxury MPVs as part of their everyday travel setup.

Also Read: Jisshu Sengupta, Karishma Tanna starrer Mom 2 goes on floors at Yamuna Expressway Film City; Boney Kapoor shares details

A few days ago, Bollywood Hungama exclusively informed readers that a revised print of Dhurandhar The Revenge has been sent to cinemas since last weekend. The earlier print of the Ranveer Singh-Sanjay Dutt-R Madhavan-Arjun Rampal starrer had a minor blunder – the cameraman’s reflection was visible in the mirror in a crucial scene in the second half featuring Hamza aka Jaskirat Singh Rangi (Ranveer Singh) amd Gurbaaz Singh aka Pinda (Udaybir Sandhu). This blunder was rectified in the revised print. Bollywood Hungama has now learned that the makers have made one more change as well.

A source told Bollywood Hungama, “In the earlier version, some abuses were muted but many of them were left untouched. In the new print, more cuss words have been censored. The dialogue where (Sanjay Dutt) says ‘L***d c******a kya’ in the Operation Lyari sequence has been muted, though the gesture made by the actor while mouthing the dialogue remains. The abuse, ‘B******a’, said by Rakesh Bedi while getting his pedicure done, and by a character in the ‘Aari Aari’ song sequence was also silenced. A few more abuses have been similarly muted in other parts of the film. Words like ‘B****a’ and ‘G***u’ were kept untouched.”

Before the release of Dhurandhar The Revenge, Bollywood Hungama had exclusively reported that among the 21 modifications listed by the Central Board of Film Certification (CBFC), abusive words were asked to be muted and some abuses were asked to be replaced. No details were provided in the cut list about these cuss words. At another point, a non-abusive word was replaced. In two places, a word was muted while a name was replaced, possibly with a fictional name.

Dhurandhar The Revenge is written and directed by Aditya Dhar and produced by Jyoti Deshpande of Jio Studios and Aditya Dhar and Lokesh Dhar of B62 Studios.

Also Read: Ranveer Singh shot Dhurandhar The Revenge climax in 48°C heat, reveals makeup artist: “Containers were literally burning”

The Chetak Screen Awards 2026 honoured some of the most notable achievements in Indian cinema this year, with Dhurandhar emerging as the biggest winner of the night by taking home 14 trophies across major categories. While Dhurandhar dominated the technical and performance honours, Homebound secured the top prize for Best Film, marking a balanced spread of recognition across the industry’s biggest titles.

Here is the complete winners' list from the ceremony. Major award winners Best Film Homebound

Best Actor (Female) Yami Gautam Dhar – Haq

Best Actor (Male) Ranveer Singh – Dhurandhar

Best Director Aditya Dhar – Dhurandhar

Best Actor in a Supporting Role (Female) Shalini Vatsa – Homebound

Best Actor in a Supporting Role (Male) Akshaye Khanna – Dhurandhar Technical category winners Best Action Aejaz Gulab, Sea Young Oh, Yannick Ben, Ramazan Bulut – Dhurandhar

Best Background Score Shashwat Sachdev – Dhurandhar

Best Choreography Vijay Ganguly – ‘Shararat’ (Dhurandhar)

Best Cinematography Vikash Nowlakha – Dhurandhar

Best Costume Sheetal Iqbal Sharma – Chhaava Smriti Chauhan – Dhurandhar

Best Dialogue Aditya Dhar – Dhurandhar

Best Editing Shivkumar V. Panicker – Dhurandhar

Best Hairstyling and Make-Up Preetisheel Singh D'Souza – Dhurandhar

Best Production Design Saini S. Johray – Dhurandhar

Best Sound Design Bishwadeep Chatterjee – Dhurandhar

Best Special Effects Envision VFX, Philm CGI, Resonance Digital, Dhruti Ranjan Sahoo, Vishal Tyagi, Raza Mohammed Shaikh – Dhurandhar Writing and special recognition Best Film for Gender Sensitivity Haq – Vineet Jain, Vishal Gurnani, Harman Baweja, Juhi Parekh Mehta, Amrita Pandey, Suparn S Varma, Rowena Baweja, Sandeep Singh

Best Film Writing (Story and Screenplay) Basharat Peer, Neeraj Ghaywan, Sumit Roy – Homebound Music category winners Best Song “Title Track” – ‘Saiyaara’ (Tanishk Bagchi, Faheem Abdullah, Arslan Nizami)

Best Lyrics Ul Julool Ishq – Gulzar

Best Playback Singer (Male) Faheem Abdullah – ‘Saiyaara Title Track’

Best Playback Singer (Female) Shreya Ghoshal – ‘Saiyaara Title Track’ Breakthrough winners Breakthrough Debut Director Shazia Iqbal – Dhadak 2

Breakthrough New Actor (Female) Aneet Padda – Saiyaara

Breakthrough New Actor (Male) Ahaan Panday – Saiyaara OTT category winners 📺 Best OTT Film Stolen – Gaurav Dhingra

Best Actor (Female) – OTT Film Sanya Malhotra – Mrs.

Best Actor (Male) – OTT Film Abhishek Banerjee – Stolen

Best Director – OTT Film Karan Tejpal – Stolen

Best Script – OTT Film Karan Tejpal, Gaurav Dhingra, Swapnil Salkar – Stolen

With 14 awards across acting, direction, and multiple technical categories, Dhurandhar emerged as the night’s biggest winner, while Homebound, Saiyaara, and Stolen also secured major honours across theatrical and streaming segments

Also Read: Chetak Screen Awards nominations announced: Dhurandhar leads with 24 nods; Saiyaara, Homebound follow

Last night, Bollywood Hungama got a sneak peek of the trailer of the much-awaited film of the month, Bhooth Bangla, more than 12 hours before its launch today (April 6). The film has already created a buzz due to its horror-comedy genre, casting and more, and the trailer is expected to further enhance the hype around it.

The trailer is around 2 minutes and 58 seconds long and offers a better idea of the premise. The focus, of course, is on the humour quotient. As expected, Akshay Kumar steals the show. There’s no one like him when it comes to comedy, and he proves it yet again. He is ably supported by a stellar cast comprising Rajpal Yadav, Paresh Rawal and the late Asrani. Just seeing all of them together, that too in a Priyadarshan film, is sure to make fans nostalgic and excited. To add to the nostalgia, the makers have used two famous dialogues from Priyadarshan’s memorable comedies of the past, which are sure to be lapped up.

Wamiqa Gabbi and Mithila Palkar get limited screen time, but it’s clear that they, too, have a significant part to play in the narrative. However, the surprise element of the trailer is Tabu. She seems to be the surprise package, and the makers have smartly kept her character under wraps. In fact, it’s evident that a major chunk of the plot, especially the horror element, has not been revealed. Hence, expect horror, comedy and a blend of suspense when the trailer drops at 9:00 pm on April 16.

The postponement of the film by a week led to disappointment among fans. However, the delay could work in the film’s favour, as Dhurandhar The Revenge would have almost exhausted its run by then. A healthy opening seems to be on the cards. Moreover, with no major competition until May 1, Bhooth Bangla will enjoy a clean two-week window to leave a mark at the box office, provided the audience response is favourable.

Also Read: Wamiqa Gabbi to play female lead in Akshay Kumar starrer Bhoot Bangla: Sources

Actor Janhvi Kapoor has spoken candidly about being oversexualised in the public eye, addressing concerns around consent, paparazzi culture, and the growing misuse of digital content. During a conversation on the Raj Shamani Podcast, the actress shared how such experiences have shaped her personal and professional decisions.

Recalling a recent interaction with paparazzi, Kapoor said, “I actually had a conversation with paparazzi recently. I told them—this is bad for us, it feels invasive and non-consensual. Even if we dress a certain way, we’re not expecting someone to zoom in on specific body parts. And more than us, it reflects badly on them—that they’re commodifying a woman’s body for money and views.”

While she noted that the photographers appeared receptive, Kapoor acknowledged the issue runs deeper. “They seemed receptive, but the issue is larger—it’s about consumption. Globally, content that objectifies women is the most consumed. That’s why it keeps getting circulated. Since you’re a public figure in glamour, it happens more to you,” she explained.

Highlighting the importance of consent, she drew a distinction between performance and exploitation. “At every stage, you have to ask—what did I consent to? For example, I did a song called ‘Bheegi Saadi’, where I’m dancing sensually in a wet saree. That was meant to be sensual. If someone finds it attractive, that’s fine. But sexualising someone without consent is completely different—and I’m not okay with that.”

Kapoor further pointed out how visuals are often altered without her knowledge. “There are angles and ways things are shot or edited—zoomed, slowed down—without my knowledge. That’s not my consent. Even on film sets, if a camera is placed somewhere I’m not comfortable with, I should be able to say no without being seen as unprofessional,” she said, adding, “Earlier, I was more polite and picked my battles. Now I make my point more clearly—though still politely.”

The actress also addressed how such portrayals affect her career trajectory. “I can’t afford to stop caring, because these perceptions affect audiences, filmmakers, and the opportunities I get. If people keep seeing you in compromising visuals, they form a perception about your character. It’s wrong, but it happens,” she noted.

She added that these perceptions influence casting decisions as well. “Filmmakers also think this way. If they feel you’re already overly visible in a certain way, they might hesitate to cast you. Audience perception directly impacts casting decisions. It’s sad that people judge your values based on your clothes—but that’s the reality.”

Kapoor revealed that she has recently taken steps to limit her public visibility. “In the past couple of months, I’ve gone to great lengths to avoid being photographed. I had three releases back-to-back last year—I felt like people had seen too much of me.”

Despite not actively seeking media attention, she said the volume of content around her remains high. “People say actors call the media—I don’t, except for promotions. But there’s already so much content of me out there that it doesn’t feel like I’ve disappeared at all.”

Concluding her thoughts, Kapoor admitted that the fear of misuse continues to affect her. “I didn’t like how I was being consumed—because of AI, edits, and everything. Even when I post something now, I overthink—will this be misused or edited? I wish I could say I don’t care—but I do.”

For now, she believes caution is necessary. “Right now, I’m not in a position of power where I can completely ignore it. So, I’ll play it safe for now, until I build enough credibility to fully be myself without consequences,” she said.

Also Read: Janhvi Kapoor recalls disturbing early deepfake experience: “I saw a picture of myself on a porn site”

Actor Janhvi Kapoor has candidly spoken about her first encounter with manipulated imagery resembling deepfakes, recalling a deeply unsettling experience from her school days. Appearing on the Raj Shamani Podcast, the actress shared how the incident left a lasting impression on her and shaped her views on digital ethics and consent.

Reflecting on the episode, Kapoor said, “I don’t know if it was technically a deepfake, but it was something like that. I saw a picture of myself on a porn site. We had IT class in school, and the boys used to go on those sites for fun—and my pictures were there. This was while I was still in school. That was a weird experience.”

The actor admitted that the incident forced her to confront the darker realities of being in the public eye at a young age. “At some point, I thought, ‘Why? Is this just the price you have to pay?’ Like there’s no morality in these things. With social media, everyone is just putting things out there. If anything, this new ‘woke’ sensitivity has slightly corrected behaviour in terms of ethics and morality—but largely, it’s still a problem. A lot of people think it’s normal—‘This happens, you’re a public figure, so it will happen’,” she said.

Kapoor also expressed concern over the growing circulation of AI-generated visuals that misrepresent her. “I’m not at peace with it. There are visuals of me out there—circulated even by official news pages—that are completely AI-generated. I’ve never worn those things, I’ve never been photographed like that. But it’s circulated as if it’s real, creating a certain impression,” she revealed.

Highlighting the professional implications, she added, “Tomorrow, if I’m doing a film and I tell a director I’m not comfortable wearing something, they could say, ‘But you’ve already done this—people have seen it.’”

Despite her discomfort, Kapoor acknowledged the limitations she feels in speaking out. “It makes you question what the moral guidelines even are. It upsets me, of course. But I feel like I don’t have enough voice or credibility to complain about it. People might say, ‘You’ve got so much in life, just tolerate this. Don’t complain.’ So I don’t think my voice carries enough weight yet to address it without backlash. But it’s not just me—others have spoken about it too,” she concluded.

Her remarks add to the ongoing conversation around AI misuse, digital consent, and the urgent need for stronger ethical boundaries in the age of rapidly evolving technology.

Also Read: Janhvi Kapoor partners with Amaha to reframe alcohol addiction as a mental health condition, not a moral failing: “The conversation around alcohol is either absent or deeply judgmental”

For a celebrity, watching their own film in a theatre is always a risk, as there’s the fear of being recognized by the audience, which can lead to chaos. This is especially true in single-screen cinemas. But at the same time, that’s where one gets to witness the most electric audience response. Two days ago, on April 1, R Madhavan weighed the pros and cons and took the plunge. He watched his film, Dhurandhar The Revenge, with the audience at a single-screen theatre in Mumbai. Usually, actors prefer visiting G7, aka Gaiety-Galaxy. However, R Madhavan chose Chitra Cinema in Dadar instead.

Yesterday, on April 2, film exhibitor and distributor Akshaye Rathi posted a story where the actor can be seen enjoying the film. Sometime later, he also posted a picture where R Madhavan is seen posing with Akshaye Rathi and a few more friends in the lobby of Chitra.

After the story and post were uploaded, Bollywood Hungama spoke to Akshaye Rathi. He said, “R Madhavan was keen to get a first-hand experience of how the audience was reacting to Dhurandhar The Revenge. That’s why we chose Chitra Cinema. It attracts the masses and, at the same time, its sound, picture quality and seating are top-class.”

On April 1, @ActorMadhavan secretly watched #DhurandharTheRevenge at Mumbai's Chitra Cinema with @akshayerathi and a few friends. Video Courtesy: Story uploaded by Akshaye Rathi on April 2 pic.twitter.com/XdyiYfPugM

— Fenil Seta (@fenil_seta) April 3, 2026

Akshaye continued, “We knew that if people realized R Madhavan was seated among them, it would become an issue, especially since we weren’t accompanied by any security personnel or bouncers. Hence, we entered the theatre a few minutes after the film had begun. He also wore a cap and hoodie while entering the auditorium. As expected, the staff and the patrons didn’t realize that the actor had visited the cinema hall. However, the manager was informed about his presence.”

Akshaye Rathi then said, “In the intermission, R Madhavan stepped out in the F&B area. This is when some patrons recognized him. However, the actor was quickly ushered into the manager’s cabin. He left from there only when the second half began. The actor is always more than happy to meet the fans and aam junta. But he realized that if word would spread about his presence, it would have caused issues.”

View this post on Instagram

  A post shared by Akkshay Rathie / अक्षय राठी 🇮🇳 (@akshayerathi)

Before the credits rolled, R Madhavan exited the theatre. His mission was successful, much like that of his character, Ajay Sanyal, in the film.

The story uploaded by Akshaye Rathi also revealed that the actor was seated in the last row of the balcony, next to the exit. This, too, was meticulously planned so that he could enter and leave without drawing anyone’s attention.

Also Read: R Madhavan reacts to the praise showered by Allu Arjun on him and Dhurandhar: The Revenge; calls it ‘super super special’ at a pivotal moment

Move over, Shah Rukh Khan. Well, almost. The Mercedes-Benz V-Class has only been on Indian roads since late March 2026, and it has already become the must-have luxury MPV for India's biggest celebrities. First, it was cricketer Hardik Pandya who snapped one up for his girlfriend Mahieka Sharma. Then Shah Rukh Khan drove home an Obsidian Black example that was spotted outside his temporary residence Puja Casa. And now, completing a hat-trick of high-profile acquisitions, Ajay Devgn has become the latest and arguably most perfectly timed celebrity to add the Rs 1.40 crore Mercedes-Benz V-Class to his garage. The occasion? His own 57th birthday on April 2. Because some men send themselves flowers, and some men send themselves a rolling German palace.

The timing could not be more fitting. On the morning of April 2, thousands of fans had already assembled outside Devgn's Juhu residence, Shivshakti, holding banners and chanting his name in scenes that made the bungalow look more like a concert venue. When the actor stepped out hands folded, smile quiet and warm it was a reminder that after 35 years and over 100 films, few stars in Hindi cinema command this kind of unfiltered public love. Later that day, the news broke that Devgn had gifted himself the V-Class, and the internet, predictably, went into overdrive. Fans noted that only Ajay Devgn could make buying a car feel like a Singham entrance.

The V-Class story in India has moved fast. Mercedes-Benz launched the luxury MPV in early March 2026 at an introductory ex-showroom price of Rs 1.40 crore the first time the model has returned to the Indian market in four years and deliveries began almost immediately. Within weeks, it had already found its way into some of the most famous garages in the country. Pandya was first off, the blocks, followed swiftly by Shah Rukh Khan and Gauri Khan who selected the stealth Obsidian Black shade. Devgn's acquisition now cements the V-Class's status as the unofficial celebrity MPV of 2026.

And what a vehicle it is. The Mercedes-Benz V-Class Extra Long Wheelbase is marketed as a "private suite on wheels" and once you look at the feature list, the description feels entirely earned. The cabin, available in four or six-seat configurations, is built around an extraordinary rear passenger experience. Lounge seats with electrically adjustable recline, ventilation, heating, and massage functions are standard. Three-zone climate control, dual 12.3-inch screens for infotainment and instrumentation, wireless charging pads, 64-colour ambient lighting, and a 640W Burmester 15-speaker system with Dolby Atmos round out an interior that puts many hotel suites to shame.

The V-Class sits atop a 2.0-litre engine available in both petrol mild-hybrid (231 bhp) and diesel (237 bhp) guises, both mated to a 9-speed automatic gearbox. The peak torque figure of 500 Nm ensures effortless highway cruising appropriate for a vehicle that has no intention of ever being in a hurry. Safety credentials are equally robust: seven airbags, a 360-degree camera, Active Distance Assist DISTRONIC, Active Lane Keeping Assist, Blind Spot Assist, and traffic sign recognition are all standard, contributing to its five-star Euro NCAP rating.

For Devgn, the V-Class slots naturally alongside a garage that already reflects his well-established taste for powerful, authoritative vehicles. His collection includes a Mercedes-Benz GLS, a Mercedes-Benz S-Class, a Mercedes-Maybach GLS 600, an Audi Q7, and a BMW X7 a fleet built on substance and quiet command rather than flashy horsepower figures. The V-Class is, if anything, the most refined expression of that philosophy: a vehicle that says everything without raising its voice. Very Ajay Devgn, in other words.

Also Read: Ajay Devgn’s Lens Vault Studios unveils AI short film ‘Happy Birthday Joshi’ on his birthday

The much-anticipated magnum opus Ramayana has finally revealed its most crucial element — the first glimpse of Ranbir Kapoor as Lord Rama. Backed by filmmaker and producer Namit Malhotra and directed by Nitesh Tiwari, the two-part cinematic franchise is being mounted on a global scale, with the teaser offering audiences their first look at the iconic character.

Positioned as a landmark cinematic moment, the ‘Rama’ teaser introduces one of mythology’s most enduring figures to a worldwide audience. The film aims to present the story with a fresh perspective while retaining the emotional depth that has made it timeless across generations.

Speaking about the essence of the story, Nitesh Tiwari said, “Ramayana’s greatness lies in its emotional richness. At its heart, it is not just about good and evil, but about choices, consequences, and the weight of doing what is right. Rama’s journey is deeply human and that is what we have tried to stay true to.”

Sharing his experience of stepping into the role, Ranbir Kapoor added, “I don’t think I’m here to represent Rama. I’m here to learn from him. There is a simplicity and purity to him that is very rare; and trying to understand and imbibe that has been a deeply humbling experience.”

Producer Namit Malhotra further elaborated on the significance of the character, stating, “The power of Rama’s story is not in what he conquers, but in what he lets go of. He represents a standard that is not easy, not convenient; but necessary. He chooses duty over desire, truth over comfort, and sacrifice over self. That is why his story has endured for thousands of years, and why it continues to matter today.”

View this post on Instagram

  A post shared by Namit Malhotra (@iamnamitmalhotra)

The film boasts of a massive ensemble cast, with Yash portraying Ravana, while Sai Pallavi plays Sita, Sunny Deol as Hanuman, and Ravie Dubey essaying Lakshman. Apart from them, Rakul Preet Singh, Lara Dutta, Bobby Deol, among others are also expected to be a part of this venture.

Adding to its global appeal, the project brings together international heavyweights, including Oscar-winning composers Hans Zimmer and A. R. Rahman for the music. The film is produced by Prime Focus Studios in association with the eight-time Academy Award-winning VFX studio DNEG and Yash’s Monster Mind Creations.

Mounted as one of the most ambitious films in Indian cinema, Ramayana will release in two parts. The first instalment is slated for a global theatrical release during Diwali 2026, with the second part expected to follow in Diwali 2027.

Also Read: Ranbir Kapoor cites “Dharmo Rakshati Rakshitah” as he shares his approach to playing Lord Ram in Ramayana: “My Dharma is to do my job”

A major collaboration is taking shape in Indian cinema as Salman Khan teams up with filmmaker Vamshi Paidipally for the first time in a film produced by noted South producer Dil Raju. The yet-untitled project has already generated significant buzz, especially after the recent announcement of Nayanthara as the female lead. The film marks her first collaboration with Salman Khan and her second Hindi outing after Jawan alongside Shah Rukh Khan.

The casting momentum continues, with reports suggesting that Arvind Swamy is likely to join the ensemble. Known for his iconic roles in films like Roja and Bombay, Swamy is expected to play a key role in the film. While initial speculation hinted at him taking on an antagonist’s part, reports clarify that his character will instead be portrayed in a positive light, steering clear of negative shades.

Interestingly, the makers are still on the lookout for a strong antagonist to face Salman Khan on screen, indicating that a major casting announcement could be on the horizon. Additionally, there are ongoing discussions with Anil Kapoor for an important role, although details regarding his character remain tightly under wraps.

Providing insight into the film’s timeline, a source told Bollywood Hungama, "Salman Khan is in talks with Dil Raju and Vamshi Padilpally to plan their schedules in a way that an Eid 2027 release becomes a reality. The producer - director duo is contemplating the option, and plan to get back to Salman with a plan soon."

The source further informs that the film in question is an action-packed entertainer with a strong emotional core.

"It's a pure commercial entertainer with Salman Khan playing to the gallery. Vamshi plans to present Salman in a way audiences like to see him. The pre-production is going on in full swing, and the makers aim to take the film on floors in April," the source added.

The film is expected to go on floors in April and will be shot extensively across multiple locations in India. With substantial VFX work also involved, the team is currently focusing on locking all aspects before making an official announcement. While several details are still under wraps, the makers are committed to bringing the film to theatres in the first half of 2027, with an Eid release firmly in consideration.

Also Read: It’s Official! Salman Khan joins hands with Nayanthara for the first time for Vamshi Paidipally’s next